An incredible article about the myths of women’s role in history, our biases from patriarchal education and media, and how not addressing those biases creates a feedback loop in fiction that perpetuates sexism.
A must read!
We forget what the story’s about. We erase women in our stories who, in our own lives, are powerful, forthright, intelligent, terrifying people. Women stab and maim and kill and lead and manage and own and run. We know that. We experience it every day. We see it.
[T]he trouble is, it’s often hard to sort out what we actually experienced from what we’re told we experienced, or what we should have experienced. We’re social creatures, and fallible.
“I’ve given a great deal of thought to the topic of different ways of thinking. In fact, my pursuit of this topic has led me to propose a new category of thinker in addition to the traditional visual and verbal: pattern thinkers.”
- Temple Grandin & Richard Panek
Neurons growing in a cell culture
These time lapse animations use phase contrast microscopy to show neural stem cells in a nutrient medium for 4 hours. They reveal the dynamic growth and recycling of dendrites and synapses as neurons establish relationships with each other. The social behavior of these cells creates the incredible properties of the mind and brain.
Credit: University of Victoria Medical Sciences
“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.
An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
I usually don’t care about typography, but typography as architecture is another thing entirely.